Page 69 - Centrum Dialogu im. Marka Edelmana w Łodzi. Time of the Litzmannstadt Ghetto. Film images.
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thors decide to show the witnesses’ accounts or will
they choose to support the documentary record with
film techniques? The key to the answer is perhaps Piotr
Weychert’s remark about the search for a more refined
form competing with the documentary value of the sur-
vivors’ words. Experiments in the field of representation
form are ineveitably not about aesthetic or intellectual
attractiveness.
Holocaust and Representation. Notes on three films about the Łódź ghetto 67
